Madame X: An Absolute Ruler
A Film by Ulrike Ottinger |
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Germany 1977
16 mm, color, 141 minutes
Ulrike Ottinger Filmproduction, Berlin
in Cooperation with ZDF, Mainz
Premiere: Steirischer Herbst 1977,
Graz
Festivals: Filmfestspiele Rotterdam 1978; Berlin Filmfestival, Internationales
Forum 1978;
Filmfestival Edinburgh 1978; Locarno 1978; Aperto 80, Biennale di
Venezia
Festivals in New Delhi San Francisco, Los Angeles, Chicago etc.
Distributed by
Freunde der Deutschen Kinemathek e.V. |
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On the women's ship Orlando the flags of attack, leather, weapons,
lesbian love and death are raised with a beauty which dispenses with
a total domination of the viewer's gaze.
The aesthetic is strictly stylized, exhibiting itself without overwhelming
us. |
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Madame X, a harsh, pitiless beauty, the cruel uncrowned ruler of
the China Sea, launches an appeal to all women willing to exchange
their comfortable and secure but unbearably dull lives for a world
of dangers and uncertainties, but full of love and adventure. Women
of the most diverse nationalities and walks of life respond to her
call. All of their accumulated discontent unites to form a powerful
whole, and they sail off with a favorable wind.
excerpt from the script |
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| Clippings |
What makes the film disturbing is that women willingly succumb to
the fascination of rituals of power and - in men's imagination - abandon
the territory of innocence and the presumption of women's moral superiority,
rejecting the gentleness of other women's films, which, like Agnès
Varda's last work, promise 'love without cares'. This film shows not
a trace of fearfulness. On the contrary, it is calculated to evoke
fear in those who put up resistance against the fascination of this
ritualized and totally aestheticized power.
Karsten Witte, Die Zeit
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| Cast/ Staff |
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| Madame X |
Tabea Blumenschein |
| Noa-Noa |
Roswitha Janz |
| Karla Freud-Goldmund |
Monika von Cube |
| Blow-up |
Irena von Lichtenstein |
| Josephine de Collage |
Yvonne Rainer |
| Hoi Sin |
Hella Utesch |
| Betty Brillo |
Lutze |
| Omega Zentauri |
La Mona |
| Orlando |
Ulrike Ottinger |
| Flora Tannenbaum |
Claudia Skoda |
| Belcampo |
Mackay Taylor |
| Moorenhut |
Jean Matelot |
| Lady Divine |
Mireille Wunderly |
Passengers and Staff
of the Yacht
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Peggy von Schnottgenberg, Jenny Capitain,
Hans-Gebhart von Lenthe, Adelheid Westphal,
Cynthia Beatt |
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Screenplay
Director
Cinematographer |
Ulrike Ottinger |
Assistant Director
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Peggy von Schnottgenberg (alias Frank Ripploh), Cynthia Beatt |
| Assistant Cinematographer |
Wolfgang Senn |
| Costumes |
Tabea Blumenschein, Hella Utesch, Claudia Skoda |
| Make-up |
Tabea Blumenschein |
| Editor |
Dörte Völz |
| Sound Montage |
Ulrike Ottinger |
| Sound |
Christian Moldt |
| Mixing |
Hans-Dieter Schwarz |
Music by
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Eric Satie, Gioacchino Rossini, Reynaldo Hahn,
Francis Poulenc |
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Distribution:
Freunde der Deutschen Kinemathek e.V.
Potsdamer Str. 2
D-10785 Berlin
Germany
Contact: Karl Winter
fon +49-30-269 55 150
fax +49-30-269 55 111
Sales:
Available at
Ulrike Ottinger Filmproduction |
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