Ticket of No Return
A Film by Ulrike Ottinger |
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Germany 1979
35 mm, color, 107 minutes
Ulrike Ottinger Filmproduction, Berlin
Premiere: Oktober 27, 1979, 13th Hofer Filmtage
Festivals: Filmfestival Berlin 1980
Cannes (Semaine de la Critique) 1980
Edinburgh 1980
Sceaux Festival des Femmes 1980
New Delhi, Los Angeles, San Francisco, Chicago etc.
Award: Audience Award of Sceaux, France
distributed by
Freunde der Deutschen Kinemathek e.V. |
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BERLIN TEGEL REALITY
BERLIN TEGEL REALITY PLEASE |
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She, a woman of exquisite beauty, of classical dignity and harmonious
Raphaelesque proportions, a woman, created like no other to be Medea,
Madonna, Beatrice, Iphigenia, Aspasia, decided one sunny winter day
to leave La Rotonda. She purchased a ticket of no return to Berlin-Tegel.
She wanted to forget her past, or rather to abandon it like a condemned
house. She wanted to concentrate all her energies on one thing, something
all her own. To follow her own destiny at last was her only desire.
Berlin, a city in which she was a complete stranger, seemed just the
place to indulge her passion undisturbed. Her passion was alcohol,
she lived to drink and drank to live, the life of a drunkard. Her
resolve to live out a narcissistic, pessimistic cult of solitude strengthened
during her flight until it reached the level at which it could be
lived.
The time was ripe to put her plans into action.
Introduction, excerpt from the script
The movement of transformation in this film has the opposite trajectory
as the previous film Madame X. There women come from very specific
backgrounds to journey into the unknown, here a woman without a name
comes from an unknown place and engages in a most specific sight-seeing
tour of Berlin based on her interest in alcoholic beverages. In a
sense this project also represents the exploration of the unknown,
and death and destruction await her equally at the end of each journey,
that to the extreme outer regions of adventure as well as that of
total narcissistic retreat into the self.
Ulrike Ottinger |
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| Cast / Staff |
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| She |
Tabea Blumenschein |
| Drinker from Zoo |
Lutze |
| Social Question |
Magdalena Montezuma |
| Exact Statistics |
Orpha Termin |
| Common Sense |
Monika von Cube |
| Dwarf |
Paul Glauer |
| Singer |
Nina Hagen |
| Director Willy |
Günther Meisner |
| Boss |
Kurt Raab |
| Transvestite |
Volker Spengler |
at the Artist Table
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Eddie Constantine, Ginka Steinwachs, Mercedes Vostell, Wolf
Vostell |
and
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The Destroyers, Drahtseilartisten of Circus Renz, Ulrike Ottinger,
Raul Giminez, Ila von Hasperg |
| Narrator |
Ulrike Ottinger |
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Screenplay
Director
Set Design
Cinematographer |
Ulrike Ottinger |
| Executive Producer |
Marianne Gassner |
| Assistant Director |
Ila von Hasperg |
| Assistant Cinematographer |
Amadou Seitz |
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| Lighting |
Manfred Bogdahn |
| Set Decoration |
Raul Gimenez |
| Costumes |
Tabea Blumenschein |
| Make-up, Wardrobe |
Detlef Pleschke |
| Editor |
Ila by Hasperg |
| Editing Assistant |
Pamela Page |
| Sound |
Margit Eschenbach |
| Sound Assistant |
Holger Gimpel |
| Mixing |
Hans-Dieter Schwarz |
| Music |
Peer Raben |
| Song ("Lasset uns trinken") |
Nina Hagen |
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Supported by
Filmförderungsanstalt, Berlin
Kuratorium Junger Deutscher Spielfilm, Berlin
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Distributor:
Freunde der Deutschen Kinemathek e.V.
Potsdamer Str. 2
D-10785 Berlin
Germany
Contact: Karl Winter
fon +49-30-269 55 150
fax +49-30-269 55 111
Sales:
Available at
Ulrike Ottinger Filmproduction |
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