Twelve Chairs
A Film by Ulrike Ottinger
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Germany 2004
35mm color 198 minutes
TV-version of 7 parts at about 30 minutes
Original: Russian and German
German or English subtitled
Ulrike Ottinger Filmproduction, Berlin
Supported by Kulturstiftung des Bundes
Premiere: February 12, 2004, Berlin International Filmfestival, International
Forum
Distributed by
Freunde der Deutschen Kinemathek e.V. |
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Short Synopsis
On her death bed, an old Russian aristocrat entrusts her son-in-law
with a strictly guarded secret. Namely, that she had hidden all of
her valuable jewelry in one of the twelve salon chairs that were taken
away from her after the revolution. Her son-in-law, Ippolit Matwejewitch
Worobjaninow, is a former nobleman and a dandy who is currently wasting
away as a small town magistrate in charge of civil marriages. He eagerly
takes up the quest to find the treasure. Meanwhile, over the years,
the twelve chairs have been dispersed all over the country. However,
Worobjaninow is not the only one in pursuit of the treasure. Hot on
its trail are Ostap Bender, a clever and colorful conman, as well
as Father Fyodor, a priest to whom the wealthy aristocrat has also
confessed her secret. Thus begins a wild chase that ranges from north
to south, west to east, across water and land, from the country to
the city.
Ulrike Ottinger
In the Making
In 2001, for my film Southeast Passage, I traveled in search
of blind spots in Europe, sites that have been neglected by the media.
Beginning in Berlin, I traversed through Poland, the Czech Republic,
Slovakia, Hungary, Romania, Bulgaria, before reaching my final destination
of Odessa. At the same time, I embarked on a literary voyage and studied
the novels, short stories, and poetry of these countries. At this
point I came across the highly intriguing novel, The Twelve Chairs,
penned by the Odessa writers Ilja Ilf and Jewgeni Petrow. Published
in the latetwenties, it is one of the most amusing accounts of the
turbulent conditions during the post-revolutionary period in Russia.
Today, this novel is once again timely and can be taken as an allegory
of the present state of the former Soviet Union.
During two additional research
trips to the Ukraine I discovered what would become the film's central
sites. These include Wilkowo, a small village on the Moldavian-Romanian
border that with its canals resembles a miniature Venice; Nikolajew,
formerly a powerful trade center at the intersection of two tributaries
of the Dnjper; the Tatar villages in the mighty Krim mountains; the
elegant nineteenth century spa towns on the coast of the Black Sea
that rival the resorts of the Côte d'Azur; and Odessa, with
its mixture of dilapidated back courtyards, splendid passageways and
descending stairways to the harbor. Every step through Odessa summoned
images from Eisenstein's revolutionary film Battleship Potemkin. These
geographies are not only the setting for The Twelve Chairs;
they also serve as active visual structures that both constitute everyday
life and trigger the action of the film's two protagonists, Ostap
and Ippolit, as they pursue their quest for material wealth. The result
is an exciting story woven out of a dense tapestry of characters and
places that tells of yesterday and today.
The film's two main actors recall
the authors of the novel, Ilf and Petrow, in a number of ways. Georgi
Deliev, a native of Odessa who plays the conman Ostap Bender, is a
popular actor who in his own theatre fosters the tradition of Burlesque.
Furthermore, through his appearances in the television series "Mask
Show" he is widely known throughout the Ukraine. Genardi Skarga,
who plays the tragicomic figure of the former nobleman, belongs to
a dynasty of actors from Odessa. He not only plays roles from the
classical repertory of Russian drama, but also acts in and directs
contemporary American theatrical productions.
Ulrike Ottinger
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Distribution:
Freunde der Deutschen Kinemathek e.V.
Potsdamer Str. 2
D-10785 Berlin
Germany
Contact: Karl Winter
fon +49-30-269 55 150
fax +49-30-269 55 111
Worldsales:
Cine-International
Leopoldstrasse 18
D-80802 München
Germany
Contact: Christiane Harris
fon +49-89-39 10 25
fax +49-89-33 10 89
Sales:
Available as DVD and VHS
at
Ulrike Ottinger Filmproduction
Fichtestraße 34
D-10967 Berlin
fon +49-30-692 93 94
fax +49-30-691 33 30 |
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