Ulrike Ottinger
Filmography |
 |
|
2004
|
Twelve Chairs.
35 mm, colour, 198 min., premiere: 8th February, 2004, Berlinale,
International Forum of New Cinema, Berlin
Festivals 2004 ff.: Barcelona, Jerusalem, Kiev, The Museum of Modern
Art, New York (“Premieres”),
Mar del Plata, and others |
2002
|
Southeast
Passage. Digital Betacam/DVD, colour and b/w, 363 min.,
premiere: 6th June, 2002, Documenta 11, Kassel
Festivals 2002 ff.: Berlin, Rotterdam, Jerusalem, Barcelona, and others
The Specimen.
Digital Betacam/DVD, b/w, 18:26 min., premiere: 6th June 2002, Documenta
11, Kassel
Ester.
Digital Betacam/DVD, b/w and colour, 31:30 min., premiere: 12th November,
2002, Arsenal, Berlin |
1997
|
Exile Shanghai.
16mm, colour, 275 min., premiere: 18th February 1997, Berlinale,
International Forum of New Cinema, Berlin
Festivals 1997 ff.: Munich, Jerusalem, San Francisco, New York, Toronto,
Vancouver, and others |
1992
|
Taiga.
16 mm, colour, 501 min., premiere: 21st February, 1992, Berlinale,
International Forum of New Cinema, Berlin
Festivals 1992 ff.: London, Toronto, Montreal, Jerusalem, Tokyo, Sydney,
and others |
1990
|
Countdown.
16 mm, colour, 188 min., premiere: 20th February, 1990, Berlinale,
International Forum of New Cinema, Berlin
Festivals 1990 ff.: Paris, Toronto, Los Angeles, San Francisco, New
York, Jerusalem, and others |
1989
|
Johanna d’Arc
of Mongolia . 35 mm, colour, 165 min., premiere: 14th
February, 1989, German contribution to the competition at the 30th
Berlin International Film Festival, Berlin
Festivals 1989 ff.: Montreal, London, Cannes, Créteil/Paris, Brussels,
Copenhagen, New York, San Francisco, Los Angeles, Seattle, Vancouver,
Toronto, Jerusalem, and others
Prizes: Bundesfilmpreis/Filmband in Gold für Visuelle Gestaltung
(Golden Prize for Visual Production), Prize of the Jury of the Audience,
Montreal, 1989; Outstanding Film of the Year, London 1989 |
1987
|
Usinimage.
35 mm, colour, 10 min., premiere: 12th June, 1987, Low Budget Filmforum,
Hamburg
Festivals 1987 ff.: Berlin, Oberhausen, Amsterdam, New York, Jerusalem,
Cologne, Düsseldorf, Brunswick, New Delhi, Bombay, Madras, Calcutta,
Vienna, Salzburg, and others
Prize: Short Film Prize, HDF Hauptverband deutscher Filmtheater 1987 |
1986
|
Superbia –
The Pride. 35 mm, colour, 15 min., premiere: 32nd Westdeutsche
Kurzfilmtage Oberhausen
Festivals 1986 ff.: Berlin, Figueira da Foz, Montreal, Jerusalem,
Amsterdam, Lucerne, Hamburg, Dortmund, and others |
1985
|
China. The
Arts – The People. 16 mm, colour, 270 min., premiere:
17th International Documentary Film Festival, Nyon
Prize: German Film Critics’ Award, 1986
Festivals 1985 ff.: Berlin, Montreal, Créteil, Figueira da Foz, Paris,
Jerusalem, Hong Kong, and others |
1984
|
Dorian Gray
in the Mirror of the Yellow Press. 35 mm, colour, 150
min., premiere: 18th February 1984, Berlinale, International Forum
of New Cinema, Berlin
Prizes: Special Jury’s Prize for Outstanding Artistic Achievment,
Florence 1984, Audience Award, Festival Sceaux/Paris,
1984
Festivals 1984 ff.: Edinburgh, San Francisco, Chicago, Hong Kong,
Jerusalem, Montreal, Toronto, Tokyo, New Delhi and others |
1981
|
Freak Orlando.
35 mm, colour, 126 min., premiere: 1st November, 1981, 15th Hofer
Filmtage
Prize: Audience Award, Festival Sceaux/Paris 1983
Festivals 1981 ff.: Berlin, Madrid, Paris, Bologna, Bordeaux, Montreal,
Cannes, Figueira da Foz, Chicago, Minneapolis, Valence, Tokyo, Mannheim,
and others |
1979
|
Ticket of
No Return. Aller – Jamais Retour. 35 mm, colour, 107 min.,
premiere: 27th October, 1979, 13th Hofer Filmtage
Prize: Audience Award, Festival Sceaux/Paris 1980
Festivals 1979 ff.: Berlin, Edinburgh, Semaine de la Critique/Cannes,
San Francisco, Los Angeles, Chicago, New Delhi, and others |
1977
|
Madame X –
An Absolute Ruler. 16 mm, colour, 141 min., premiere:
Steirischer Herbst, Graz
Festivals 1977 ff.: Berlin, Rotterdam, Edinburgh, Locarno, New Delhi,
San Francisco, Los Angeles, Chicago, Aperto 80 Biennale di Venezia,
and others |
1975
|
The Enchantment
of the Blue Sailors. 16 mm, colour, 50 min., premiere:
25th October, 1975, Bali-Kino, Berlin
Festivals 1975 ff.: Berlin, Hof, Brussels, Rotterdam, New York, Los
Angeles, Aperto 80 Biennale di Venezia, and others |
1972
|
Laokoon &
Sons. The Transformation of Esmeralda del Rio. 16 mm,
b/w, 50 min., premiere: 27 March, 1975, Arsenal, Berlin
Festivals 1973 ff.: Brussels, Rotterdam, Aperto 80 Biennale di
Venezia, and others
Berlinfever –
Wolf Vostell. Documentation of a “happening”. 16 mm, b/w,
12 min., December 1973, Akademie der Künste, Berlin
Festivals 1973 ff.: Venice, New York, San Francisco, Graz, Salzburg,
and others |
 |
 |
|