 |
| 2007 |
Film retrospective:
Kino Arsenal, Berlin. October 14 to December 2
Exhibition:
ULRIKE OTTINGER Museum für Film und Fernsehen,
Berlin, Sept.13 - Dec. 2
Group exhibitions:
Berlin Noir, Perry Rubenstein Gallery, New
York: Ester
WACK! Art and the Feminist Revolution. July 4
- July, 16, Museum of Contemporary Art, Los Angeles:
Madame
X – Eine absolute Herrscherin
BALANCE
- Kunst in Heiligendamm, 2. Juni bis 8.
Juli 2007, Bad Doberan
Film:
Prater,
35 mm, color, 104 min., premiere: 10th february 2007,
Festivals 2007: Berlinale, International Forum of
New Cinema, Berlin; Mar del Plata; Barcelona; Jerusalem;
Era New Horizons, Polen; Melbourne; Tbilisi; MomA
New York and others
Preis der deutschen Filmkritik: best documentary 2007
|
| 2006 |
Film projects:
Diamond Dance feature film in New York
Film and Radio Play:
Exile Shanghai, ZKM - ARD Hörspieltage,
November 10, 2006, Zentrum für Medientechnologie
Karlsruhe
Film:
The Enchaintment of the Blue Sailors, Ludwig
Museum Köln, October 12, 2006
Film:
Ticket of No Return - Aller Jamais Retour, Viennale,
Carte Blanche by Elfriede Jelinek, October 20, 2006
Award:
Kunstpreis Konstanz 2006, Kulturzentrum am Münster,
September 24, 2006
Exhibition:
Vis à Vis, Konstanzer Kunstverein, September
24 to November 26, 2006
Film:
Johanna d'Arc of Mongolia, Museum of Modern Art,
New York, September 1 and Sep-tember 2, 2006
Participation at the exhibition:
Arme Schweine, Stiftung Schloss Neuhardenberg,
August 27 to November 11, 2006
Participation at the exhibition:
Passaggi a Sud Est. Sguardi di artiste tra storie,
memorie, attraversamenti. Padiglione d'Arte Contemporanea,
Palazzo Massari, Ferrara, Italia, March 19 to May 14,
2006
Retrospective:
Cinémathèque Bruxelles, March 25
and 26, 2006
Screening:
Ticket of No Return - Aller Jamais Retour, Tate Modern, London |
2005
|
Book launch and film retrospective:
Kunsthalle
Wien in cooperation with Filmcasino
Arsenal
in cooperation with Filmmuseum Berlin
Book launch:
Museum für Fotografie in cooperation with
Buchhandlung König – Taschen, Berlin
Exhibitions:
Imagen de Archivo. Espai d’Art Contemporani
de Castellón , Spain
Teatro del Mundo . Museo de la Pasión,
Valladolid
En Face. Ursula
Blickle Stiftung, Kraichtal-Unteröwisheim
Exhibition and film retrospective:
Totem. Photographs and Objects. Salzburger
Kunstverein and Das Kino, Salzburg
Monograph:
Ulrike
Ottinger. Image Archive. Photographs 1970 – 2005.
Kunsthalle Wien, Ursula Blickle Stiftung,
Witte de With (ed.), Verlag für moderne
Kunst Nürnberg, November 2005 |
2004
|
Film:
Twelve
Chairs. 35 mm, colour, 198 min., premiere:
8th February, 2004, Berlinale, International Forum
of New Cinema, Berlin
Festivals 2004 ff.: Barcelona, Jerusalem, Kiev, The
Museum of Modern Art, New York (“Premieres”),
Mar del Plata, and others
Film retrospectives:
Museo
Reina Sofia, Centro de Arte , Madrid (catalogue)
Tate Modern, London
Museet for Samtidskunst Nasjonalmuseet for kunst,
arkitektur og design, Oslo
Maski Filmtheater, Odessa
50th Robert Flaherty Seminar, New York
Cinémathèque Ontario, Toronto
Exhibitions:
Ulrike
Ottinger Bild Archive. Witte de With.
Center for Contemporary Art, Rotterdam
Faces,
Found Objects, and Rough Riders. ArtPace,
San Antonio/Texas
Group exhibition:
Experiments with Truth. The Fabric Workshop and Museum,
Philadelphia (catalogue)
3.
berlin biennale für zeitgenössische kunst,
Berlin (catalogue)
Sieben Todsünden. Galerie im Taxispalais,
Innsbruck
Exhibitions and film retrospectives:
Museum
for Foreign Art and Cinema Riga in cooperation
with the Goethe-Institute, Riga
Artist in residence:
ArtPace,
Foundation for Contemporary Art, San Antonio/Texas
|
2003
|
Exhibition:
Southeast
Passage. The Renaissance Society, University
of Chicago, USA
Group exhibition:
Grotesk!
130 Jahre Kunst der Frechheit. Schirn Kunsthalle
Frankfurt and Haus der Kunst, Munich (catalogue)
fast forward. Media Art Sammlung Goetz,
film program, ZKM Karlsruhe (catalogue)
Text:
Zwei
deutsche Patriarchen in Paris. In: Friedrich
Wilhelm Murnau, Ein Melancholiker des Films. Hans
Helmut Prinzler (Ed.), Bertz Verlag, Berlin |
2002
|
Film:
Southeast
Passage. Digital Betacam/DVD, colour and
b/w, 363 min., premiere: 6th June, 2002, Documenta
11, Kassel
Festivals 2002 ff.: Berlin, Rotterdam, Jerusalem, Barcelona,
and others
The
Specimen. Digital Betacam/DVD, b/w, 18:26
min., premiere: 6th June 2002, Documenta 11,
Kassel
Ester.
Digital Betacam/DVD, b/w and colour, 31:30 min., premiere:
12th November, 2002, Arsenal, Berlin
Group exhibition:
Documenta
11, Kassel
Hautnah . Die Sammlung Goetz, Museum Villa
Stuck, Munich
Exhibition and film retrospective:
Stills . Goethe-Institute, Barcelona
in cooperation with Mostra Internacional de Films
de Dones |
2001
|
Opera:
Effi
Briest by Iris ter Schiphorst and Helmut Oehring.
Stage design and production. Premiere: 9th March, 2001,
Bundeskunsthalle, Bonn (theatre program)
Film retrospective:
Febiofest , Prague
Exhibition and film retrospective:
Sessions
. Contemporary Fine Arts Gallery, Berlin (catalogue)
bild-archive
. Kunst-Werke,
Berlin (catalogue) in cooperation with Filmkunsthaus
Babylon and Arsenal, Berlin
Texte (a selection):
Gespräch Ulrike Ottinger mit Andrea Dornseif.
In: Jobs für Filmfreaks: Regie, Campus Verlag,
Frankfurt on the Main/New York
Parallel-Texte.
In: Bonn Opera (Ed.), Effi Briest, Bonn 2000/2001
(theatre program)
Stationenkino.
In: Kunst-Werke (Ed.), Bildarchive, Berlin, 2001
(KW magazine) |
2000
|
Exhibition and film retrospective:
Berlin. City in Transition. Cinémathèque
Ontario and Goethe-Institute, Toronto
Exhibitions:
Stills
. David
Zwirner Gallery, New York
Taiga . Goethe-Institute, New York
Film retrospective:
The Museum of Modern Art, New York, Anthology
Film Archives, New York, Prague, and others
Theatre:
Das
Lebewohl by Elfriede Jelinek. Production and
stage design. premiere: 9th December, 2000, Berliner
Ensemble, Berlin (theatre program)
Texts (a selection):
Peter
Lorre: Der Verlorene. Schweigen als dauerhafte und zuverlässige
Abmachung. In: 15 by 15. The European
Film Heritage. Brussels
Ost-Süd-Ost
im Minibus. Auf Reisen quer durch Osteuropa oder Wenn
die Straße zum Marktplatz wird. In: taz,
die tageszeitung, Berlin 12th October, 2000
Die
Globalisierung ist ein Basar. In: taz,
die tageszeitung, Berlin 21st December, 2000 |
1999
|
Theatre:
Das
Verlobungsfest im Feenreiche by Johann Nestroy.
Production and stage design. premiere: 25th September,
1999, Steirischer Herbst, Graz (theatre program)
Text:
Die Hochzeit von Nestroy and Kabuki. In:
Steirischer Herbst, (Ed.), Das Verlobungsfest im
Feenreiche, Graz (theatre program)
Film retrospective:
Oslo, Sao Paulo, Rio de Janeiro, and others |
1997
|
Film:
Exile
Shanghai. 16mm, colour, 275 min., premiere:
18th February 1997, Berlinale, International Forum
of New Cinema, Berlin
Festivals 1997 ff.: Munich, Jerusalem, San Francisco,
New York, Toronto, Vancouver, and others
Film retrospective:
Stuttgart, Warsaw, Krakow, Lodz, and others
Radio Play:
Exile Shanghai. An Audio Montage in Six Parts.
SWF Baden-Baden, SFB Berlin
Group exhibition:
Leben im Wartesaal. Exil in Shanghai. Jüdisches
Museum, Berlin (catalogue)
Lecture and slide projection:
100 Tage – 100 Gäste, Documenta X,
Kassel |
1995
|
Monograph:
Ulrike Ottinger. Freunde der Deutschen
Kinemathek (Ed.), Berlin 1995. 2nd edition, February
2001
Text:
Korrespondenzen. In: Kino & Movie
& Cinema. Berlin
Film retrospective 1995 ff.:
Berlin, Hamburg, Munich, Brussels, Graz, Vienna, and
others |
1993
|
Book:
Taiga.
Eine Reise ins nördliche Land der Mongolen.
Edition Nishen, Berlin
Exhibition:
Taiga.
Völkerkundemuseum Zurich; further stations:
Filmmuseum Düsseldorf, Reissmuseum Mannheim
Radio Play:
Taiga. Erzählungen aus dem nördlichen
Land der Mongolen. SWF Baden-Baden, BR Munich,
SFB Berlin |
1992
|
Film:
Taiga.
16 mm, colour, 501 min., premiere: 21st February, 1992,
Berlinale, International Forum of New Cinema,
Berlin
Festivals 1992 ff.: London, Toronto, Montreal, Jerusalem,
Tokyo, Sydney, and others
Regents Lecture and retrospective at the University
of Santa Barbara, California |
1991
|
Exhibition and film retrospective 1991 ff.:
In cooperation with festivals, museums, universities,
cinemas and the Goethe-Institutes in the USA and Canada:
New York, Boston, Los Angeles, Chicago, San Francisco,
Toronto, Montreal, and others
Film retrospective:
Palais de Tokyo in cooperation with Le Centre
Audiovisuel Simone de Beauvoir, Paris; Festival
Internacional de Cine, Madrid; Deutsches Filmmuseum,
Frankfurt; Rheinisches Landesmuseum, Bonn; Cinémathèque
Bruxelles, Brussels
Text:
Bon voyage Delphine. In: Kameradschaft
– Querelle. Kino zwischen Deutschland und Frankreich.
Munich |
1990
|
Film:
Countdown.
16 mm, colour, 188 min., premiere: 20th February, 1990,
Berlinale, International Forum of New Cinema,
Berlin
Festivals 1990 ff.: Paris, Toronto, Los Angeles, San
Francisco, New York, Jerusalem, and others
Text:
Les Enfants du Paradis. Un spectacle pour ceux
qui n’ont pas les yeux dans leurs poches. In:
Das Jahr 1945 im Film. Filme aus 15 Ländern.
40. Internationale Filmfestspiele, Stiftung Deutsche
Kinemathek, Berlin
Exhibition and film retrospective:
Anthology Film Archive, New York
Feminale , Cologne
Film retrospective:
14th International Hong Kong Film Festival
Festival d’Automne, Paris |
1989
|
Film:
Johanna
d’Arc of Mongolia . 35 mm, colour, 165 min.,
premiere: 14th February, 1989, German contribution to
the competition at the 30th Berlin International
Film Festival, Berlin
Festivals 1989 ff.: Montreal, London, Cannes, Créteil/Paris,
Brussels, Copenhagen, New York, San Francisco, Los Angeles,
Seattle, Vancouver, Toronto, Jerusalem, and others
Prizes: Bundesfilmpreis/Filmband in Gold für Visuelle
Gestaltung (Golden Prize for Visual Production), Prize
of the Jury of the Audience, Montreal, 1989; Outstanding
Film of the Year, London 1989
Group exhibition:
Die Mongolen. Photographs. Römer- und
Pelizaeus-Museum, Hildesheim |
1988
|
Text:
Der Zwang zum Genrekino. (Lecture, 1983).
In: Hans Helmut Prinzler/Eric Rentschler (Eds.), Augenzeugen.
100 Texte neuer deutscher Filmemacher. Frankfurt
on the Main
Exhibition and film retrospective:
Maskeraden . Installation and photographs.
Wessenberghaus, City of Konstanz in cooperation
with the Kunstverein and the Kommunales Kino
Konstanz (catalogue)
Group exhibition:
Die Mongolen. Photographs. Haus der Kunst,
Munich (catalogue) |
1987
|
Film:
Usinimage.
35 mm, colour, 10 min., premiere: 12th June, 1987, Low
Budget Filmforum, Hamburg
Festivals 1987 ff.: Berlin, Oberhausen, Amsterdam, New
York, Jerusalem, Cologne, Düsseldorf, Brunswick,
New Delhi, Bombay, Madras, Calcutta, Vienna, Salzburg,
and others
Prize: Short Film Prize, HDF Hauptverband deutscher
Filmtheater 1987
Group exhibitions:
Camera Austria. Photographs. Steirischer Herbst,
Graz
Europa
Totem. Installation for the exhibition Van
Totem tot Lifestyle, Museum van de Tropen,
Amsterdam (catalogue); further stations: Museum für
Kunsthandwerk, Berlin (catalogue)
On Eating and Drinking, Representations in Contemporary
Art . Photographs. Kunst- und Museumsverein,
Wuppertal (catalogue)
Group exhibition and film retrospective:
Exotische Welten – Europäische Phantasien.
Objects and photographs. Württembergischer Kunstverein,
Stuttgart (catalogue)
Berlin, Berlin – Die Ausstellung zur Geschichte der
Stadt [Berlin, Berlin – The Exhibition on the
History of the City]. Martin-Gropius-Bau,
Berlin (catalogue) |
1986
|
Film:
Superbia
– The Pride. 35 mm, colour, 15 min., premiere:
32nd Westdeutsche Kurzfilmtage Oberhausen
Festivals 1986 ff.: Berlin, Figueira da Foz, Montreal,
Jerusalem, Amsterdam, Lucerne, Hamburg, Dortmund, and
others
Exhibition:
China. The Arts – The People. Akademie
der Künste, Berlin; further stations: Paris,
Montreal, New York
Exhibition and film retrospective:
Le Centre Audiovisuel Simone de Beauvoir in cooperation
with Cinéma Olympic Entrepôt, Paris (under the
auspices of Delphine Seyrig)
Theatre:
Begierde
und Fahrerlaubnis by Elfriede Jelinek. Production
and stage design. Steirischer Herbst, Graz; further
stations: Berlin, Hamburg, Giessen, Basel |
1985
|
Film:
China.
The Arts – The People. 16 mm, colour, 270
min., premiere: 17th International Documentary Film
Festival, Nyon
Prize: German Film Critics’ Award, 1986
Festivals 1985 ff.: Berlin, Montreal, Créteil, Figueira
da Foz, Paris, Jerusalem, Hong Kong, and others
Publication:
Dorian Gray in the Mirror of the Yellow Press.
(Photographs and excerpts from the shooting script).
In: G.J. Lischka (Ed.), Alles und noch viel mehr.
Das poetische ABC. Benteli Verlag, Bern |
1984
|
Film:
Dorian
Gray in the Mirror of the Yellow Press.
35 mm, colour, 150 min., premiere: 18th February 1984,
Berlinale, International Forum of New Cinema,
Berlin
Prizes: Special Jury’s Prize for Outstanding Artistic
Achievment, Florence 1984, Audience Award, Festival
Sceaux/Paris, 1984
Festivals 1984 ff.: Edinburgh, San Francisco, Chicago,
Hong Kong, Jerusalem, Montreal, Toronto, Tokyo, New
Delhi and others
Film retrospective:
Poland 1984: Warsaw and Krakow
Interview Ulrike Ottinger with Sissi Tax.
In: Frauen Macht, Konkursbuch 12, Tübingen,
1984 |
1983
|
Theatre:
Clara
S. by Elfriede Jelinek. Production and stage
design. Premiere: 3rd May, 1983, Württembergisches
Staatstheater, Stuttgart
Theatre festivals: Munich and Avignon
Film retrospective:
Theatre Festival Avignon in connection with the
theatre production, Clara S.
Text:
Dorian Gray in the Mirror of the Yellow Press.
(Excerpts of shooting script). In: Mona Winter (Ed.),
Zitronenblau. Frauenoffensive, Munich, 1983
Dans la cité des monstres. In: Berlin,
le ciel partagé. Autrement, Série Monde, Paris |
1982
|
Film retrospective:
Cinémathèque Française, Paris |
1981
|
Film:
Freak
Orlando. 35 mm, colour, 126 min., premiere:
1st November, 1981, 15th Hofer Filmtage
Prize: Audience Award, Festival Sceaux/Paris
1983
Festivals 1981 ff.: Berlin, Madrid, Paris, Bologna,
Bordeaux, Montreal, Cannes, Figueira da Foz, Chicago,
Minneapolis, Valence, Tokyo, Mannheim, and others
Exhibition:
Freak
Orlando – Eine künstlerische Gesamtkomposition.
Installation and photographs. DAAD-Galerie, Berlin
(catalogue)
Book:
Freak Orlando – Small Theater of the World in
Five Episodes . Facsimile of the shooting script
and photographs. Medusa Verlag, Berlin |
1980
|
Exhibition and film retrospective:
Aperto 80 Biennale di Venezia , Venice
Cinémathèque Française, Paris
First New York film retrospective: Carnegie Hall
Cinema and Bleecker Street Studios
Book:
Madame X – An Absolute Ruler. Facsimile
of the shooting script. Stroemfeld/Roter Stern, Frankfurt
on the Main |
1979
|
Film:
Ticket
of No Return. Aller – Jamais Retour. 35
mm, colour, 107 min., premiere: 27th October, 1979,
13th Hofer Filmtage
Prize: Audience Award, Festival Sceaux/Paris
1980
Festivals 1979 ff.: Berlin, Edinburgh, Semaine de
la Critique/Cannes, San Francisco, Los Angeles,
Chicago, New Delhi, and others
Exhibition participation and film retrospective:
Masculin – Feminin. Künstlerhaus
and Neue Galerie, Graz |
1978
|
Exhibition:
Hommage an Valeska Gert. Photographs by
Ulrike Ottinger/Herbert Tobias, Arsenal, Berlin
|
1977
|
Film:
Madame
X – An Absolute Ruler. 16 mm, colour, 141
min., premiere: Steirischer Herbst, Graz
Festivals 1977 ff.: Berlin, Rotterdam, Edinburgh, Locarno,
New Delhi, San Francisco, Los Angeles, Chicago, Aperto
80 Biennale di Venezia, and others |
1975
|
Film:
The
Enchantment of the Blue Sailors. 16 mm,
colour, 50 min., premiere: 25th October, 1975, Bali-Kino,
Berlin
Festivals 1975 ff.: Berlin, Hof, Brussels, Rotterdam,
New York, Los Angeles, Aperto 80 Biennale di Venezia,
and others |
1972–73
|
Film:
Laokoon
& Sons. The Transformation of Esmeralda del Rio.
16 mm, b/w, 50 min., premiere: 27 March, 1975, Arsenal,
Berlin
Festivals 1973 ff.: Brussels, Rotterdam, Aperto 80
Biennale di Venezia, and others
Berlinfever
– Wolf Vostell. Documentation of a “happening”.
16 mm, b/w, 12 min., December 1973, Akademie der
Künste, Berlin
Festivals 1973 ff.: Venice, New York, San Francisco,
Graz, Salzburg, and others |
1969–72
|
Formation and direction of the film club Visuell
and of galeriepress, a gallery and edition in
Konstanz: exhibitions by Wolf Vostell, R.B. Kitaj, David
Hockney, Joe Tilson, and others |
1962–68
|
Work as a freelance artist in Paris
Exhibitions at the Salon de la Jeune Peinture,
Salon d’Automne, Galerie Seder, Paris
and others
Graphic work at the Atelier Friedländer
Attending lectures at the Sorbonne on art history, religious
studies and cultural anthropology with Claude Lévi-Strauss,
Louis Althusser and Pierre Bourdieu
Friendship with Walter Mehring, Fritz Picard and Claire
Goll
Die Mongolische Doppelschublade. First
film script |
|
|
|
|
